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Please note that one or more of these do not necessarily indicate abuse, but are merely indicators of possible abuse.There may be a variety of reasons for these symptoms.Do you suspect you may have been the victim of sexual abuse?Sexual abuse is one of the most traumatic events a person can experience. Dean: Oh it's the real me alright, the new real me, the me that sees things for what they really are. [He picks up an angel blade] Because you’re going to tell me everything, all of it, and it ain’t gonna cost me a damn dime... Metatron: My morality is being judged by Dean Winchester? Some more peaceful than others, but they still carry it...

Many survivors of sexual abuse remember some or all of their abuse experience but haven’t defined it as sexual abuse.

They'll write songs about us, graphic novels -- The Misadventures of Growley and Squirrel. Dean: I know what you did when you went looking for me. Then Sam underwent a series of trials in an attempt to close the Gates of Hell, which nearly cost him his life. And not saying that ours is a masterpiece or anything, but jeez. There's a 500 pound guy on the stage with mohawk just screaming. Then this girl walks up, and she's 'Hey why don't come over sit down with me and my friends at this table,' 'yeah, alright.'Dean: But not fun drunk, I'm not quite sure what was in that stuff, but the room starts to spin, and I feel like I'm going to puke forever. 'Dean Winchester.' My old man, I don't know how but he found me. So here’s the deal, that first little tip I gave you, a freebie, just ‘cause you’re you. You think if you hold back just enough you won't succumb? Have you never mused upon the fact that you are living my life in reverse. there'd be some strange mixed feelings on that one, but you'd have your reason, get it done, no remorse. I know what you're doing over there, and it ain't porn. But I don’t buy for one second that the mark is terminal diagnosis, so don’t go making peace with that idea, there has to be a way, there will be a way and we will find it, that’s what we do. Dean: A wise man once told me, 'family don't end in blood.' But it doesn't start there either.

They lost Bobby, and then Cas and Dean got stuck in Purgatory... Uh, they met a prophet named Kevin; they lost him too. I mean, seriously, where did your friend find this garbage? I mean people are drinking, and they're smoking, and they're snorting whatever. It's not my job to be liked.'Metatron: But I'm your dickwad. To do it you are going to need one specific thing... Metatron: It’s very lonely here, and I have very little to do but think, and it occurred to me that you really need this mark taken off of you, and in order to do that you really need me. I mean, it’s fine, I get it, I’ve done it before too. Sam: You know, when Dean came to get me at school, I-I told myself...

Boldly blending Eisensteinian montage and domestic melodrama, the film features Robeson and his wife, Eslanda, as lovers caught up in a tangled web of interracial affairs. African Dodgers were so commonplace that some sadistic people would bring a hard (wooden or iron) ball into any carnival that came to town, knowing they'd have a chance to throw it at a black man's head and cause him serious injury." In this film comedian Tom Howard plays a man on a carnival midway who gets suckered into substituting for the African Dodger. DVD X2036; vhs 937Directed by Dudley Murphy, with screenplay adapted by Du Bose Heyward from the drama by Eugene O'Neill. Cast: Mae West, Cary Grant, Owen Moore, Noah Beery, Gilbert Roland, Louise Beavers. (Full text available online (UCB users only); Print: Main (Gardner) Stacks PN1993.5. "Mae West's Maids: Race, 'Authenticity,' and the Discourse of Camp." In: Hop on pop : the politics and pleasures of popular culture / edited by Henry Jenkins, Tara Mc Pherson & Jane Shattuc. Threats surrounded the making of the movie, but the studio persisted, creating a bold, torn-from-the-headlines expose of the organization fueled by fear, ignorance and hate -- a nation of "free, white, 100% Americans." 83 min. "Black Legion." In: Celluloid soldiers : the Warner Bros. Presents timeless songs and an equally timeless outcry against racial bigotry. Joe, a dockworker in Marseilles, finds a missing boy and takes him to stay with a local cafe singer, Miranda where they both become surrogate parents to the child. Features an astonishing sequence in which Shirley dons blackface to escape from Union soldiers. "Movies and the Resistance to Tyranny." In: American cinema of the 1930s : themes and variations / edited by Ina Rae Hark. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films / Donald Bogle. Cast: Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland, Thomas Mitchell, Barbara O'Neill, Evelyn Keyes, Ann Rutherford, Hattie Mc Daniel, Butterfly Mc Queen, Carroll Nye, Laura Hope Crews, Ona Munson. " patriotic short; "Spanish fiests" musical short; "Who's who in the zoo" classic cartoon; trailers. This film is considered one of the most outstanding films about racial tension. Based on true events surrounding a light-skinned black family who pass for white in a New Hampshire town. Scott Carter is unable to secure a job as a physician because of his race so he decides "For one year of his life" to pass as a white man, but the one year becomes twenty. Contents: Disc 3: Birthday card -- Relatives -- Kingfish's last friend-- Quo vadis -- Andy falls in love with an actress -- Disc 4. Masculinity in the interracial buddy film Jefferson, N. While there she turns the convent choir into a "soulful chorus of swingin' sisters" complete with a Motown repertoire. But now he has won his freedom and faces a new urgency: reclaiming his 10-year old son from the mean streets' cycle of hate and death. Originally broacast as a segment of the television program: American Experience on January 18, 1993. Whoopi Goldberg returns as the lounge singer who goes undercover as a nun to help an ailing inner-city school. When Manhattan art dealers take a smooth talking young man into their home believing him to be a friend of their children and Sidney Poitier's son, they awake the next morning to find him in bed with a male friend whom he had invited in for the night. Roemello Skuggs and his older brother Raynathan grew up in Harlem with junkies for a mother and father. Kamalipour, Theresa Carilli ; foreword by George Gerbner. He is forced to come to terms with his past, facing his father's possible involvement with the KKK, and his part in the crime. Cast: Anthony Hopkins, Nicole Kidman, Ed Harris, Gary Sinise, Wentworth Miller, Jacinda Barrett, Harry Lennix, Clark Gregg.

Videodisc release of eight episodes of the Our Gang comedies, originally produced between 19, and shown on television as the Little Rascals. This experimental silent film, made in Switzerland by an independent British film company, is chiefly remembered as Paul Robeson's first film. Notable as the only motion picture produced staring the radio comedy team, Amos n' Andy. The dodger would (usually) pull his head out of the hole in time to avoid getting hit, but sometimes he wasn't fast enough. Includes the famous "stairs" dance by Temple and "Bojangles" Robinson. In this first leading role in a major movie for Humphrey Bogart, he plays a factory worker, disappointed at not being promoted, who joins a Ku Klux Klan-like group. (Full-text available online [UC Berkeley users only]; Print: Main (Gardner) Stacks; Moffitt PN1995.9. "'De Lawd' a Natchel Man": The Green Pastures in the American Cultural Imagination." In: Hollywood be thy name : African American religion in American film, 1929-1949 Berkeley : University of California Press, c2007. A musical which celebrates the loves and heartbreaks of a Mississippi riverboat troupe, starting with a young girl whose heart is stolen by a dashing gambler. (Full text available online (UCB users only); Print: Main (Gardner) Stacks PN1993.5. (Full text available online (UC Berkeley users only); Print: Main (Gardner) Stacks PS3511. A classic musical celebrating the legendary actor, singer and activist Paul Robeson. Cast: Shirley Temple, John Boles, Bill Robinson, Steppin Fetchit. A case study in 30's and 40's Hollywoods fondness for mammies, Toms, and happy, childlike colored folk. Clarence Muse plays Jim" as what Donald Bogel has characterized as the "archtypical tom." (Bogle, Donald. DVD X1794; vhs 9 Directed by Victor Fleming, et al. The jealous and selfish Stanley attempts to win back Craig's affections, but her true character is revealed when, rather than take the rap herself, she attempts to pin a hit and run accident on a young black clerk who works in Craig's law office. Special features: Commentary by film historian Jeanine Basinger; "Warner night at the movies 1942" short subjects gallery; vintage newsreel; "March on, America! Cast: David Brian, Claude Jarman, Jr., Juano Hernandez, Porter Hall, Elizabeth Patterson, Charles Kemper, Will Geer. Cast: Beatrice Pearson, Mel Ferrer, Susan Douglas, Canada Lee, Richard Hylton. "Lost Boundaries: Racial Indeterminacy as Whiteness." In: Visions of belonging : New England art and the making of American identity / Julia B. Written variously by Bob Ross, Dave Schwartz, Joe Connelly, Bob Mosher, Paul West, and Jay Sommers. (Andy) ; Tim Moore (Kingfish) ; Ernestine Wade (Sapphire) ; Amanda Randolph (Mama) ; Johnny Lee (Calhoun). Together, in a difficult world of black versus white, they manage to discover a common ground. As their love grows they must deal with shock and outrage from both families. This film depicts a small town in South Carolina in the year 1950 as the issue of segregation between blacks and whites comes to a bitter, violent and courageous battle. Her dreams are put on hold when she becomes pregnant by her boyfriend. In this comedy a sassy, low-rent lounge singer is forced to hide out from the mob in the last place on earth anyone would look for her -- in a convent. Cast: Whoopi Goldberg, Kathy Najimy, James Coburn, Maggie Smith. Cast: Stockard Channing, Will Smith, Donald Sutherland, Flan Kittredge, Ian Mc Kellen. Cast: Wesley Snipes, Michael Wright, Theresa Randle, Leslie Uggams, Abe Vigoda. Now, in 1998, the FBI has reopened the case, and Tom Cherry's memories are recalled about the turbulent years of his childhood.

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